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Author! Author! Archives
Read some interviews from past editions:
Zelda Benjamin
April, 2008
Shirley Marks
December, 2007
Donna Wright
December, 2007
Carolyn Brown
August, 2007
Roni Denholtz
June, 2007
Tara Randel
April, 2007
Sydell Voeller
February, 2007
Sheila Robins
December, 2006
Ann Holt
October, 2006
Cynthia Danielewski
July, 2006
Jane McBride Choate
March, 2006
Kathryn Meyer Griffith
January, 2006
Mel Taylor
November, 2005
Kathleen Fuller
September, 2005
Tracey J. Lyons
July, 2005
Ludima Gus Burton
May, 2005
Holly Jacobs
March, 2005
Sandra D. Bricker
January, 2005
Kathryn Quick
November, 2004
Cheri Jetton
September, 2004
Heather S. Webber
July, 2004
Karl Fieldhouse
May, 2004
Shelley Galloway
March, 2004
Ilsa Mayr
January, 2004
Kathy Carmichael
November, 2003
Dorothy P. O'Neill
July, 2003
Joani Ascher
May, 2003
Patricia DeGroot
March, 2003
Nancy J. Parra
January, 2003
Barbara Meyers
November, 2002
Christine Bush
September, 2002
Debby Mayne
July, 2002
Jean C. Gordon
May, 2002
Charles E. Friend
March, 2002
Norma Seely
January, 2002
Glen Ebisch
November, 2001
Gina Cresse
September, 2001
Terri Alcock
May, 2001
Clifford Blair
March, 2001
Amanda Harte
January, 2001
Kent Conwell
November, 2000
Carolyn Brown
September, 2000
Annette Mahon
July, 2000
Marjorie McGinley
May, 2000
Jack Lewis
March, 2000
Amanda Harte
January, 2000
Joyce and Jim Lavene
November, 1999

Return to the current Author! Author! interview:
S.J. Stewart
April, 2008


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An Interview with
John
Paxson
How did you get started writing mysteries?
Writing, in one form or another, has always been a large part of my life. In fact, I’ve made my living for 30 years now writing but most of that’s been in journalism—newspapers, radio and television—where the plots belong to someone else, the characters appear on stage wholly formed, adjectives are forbidden and brevity is the path of the righteous. I’d dabbled in fiction down through the years, writing a sizzling first chapter and then waiting for divine intervention to carry things forward. When that intervention, predictably, didn’t come I’d discard what I’d written and wait for the next bolt from the blue. (I have a large stack of sizzling good first chapters if anyone’s in the market.) About 10 years ago, I realized if I was to get beyond ‘a dark and stormy’ night, it was up to me and me alone to press on. I did—and wrote a first book.

A first book—Bones—which Avalon published. You say you gave up waiting for divine intervention. What, then, drives your work forward?
I suppose in many ways it’s the regularity I’ve built into it. When I’m working on a novel, I budget two hours very early each morning five days a week. I know that time will be spent imagining and writing—that very little else will intrude—and it has become a wonderful technique for focussing. I also learned that when I hit a figurative brick wall, the only way to continue is to blast through, to just keep writing. It may not be the best writing I’ve ever done but I can come back and correct and polish it later. And it serves to push me through to another part where the writing and imagining come more smoothly and with less pain.

Both your first and second Avalon books are set in Montana? Why Montana?
Simply, because I love it. I grew up there and, while I moved away a long long time ago, its wild beauty still defines for me what the world should look be like. As I travel around, the snowy peaks of the Bitterroots and the whitewater rapids and big trout holes of the Blackfoot are the yardstick I use to measure and judge what I’m seeing. It remains one of the last best places.

Tell us a little about your latest book, A Golden Trail of Murder.
Montana, an old rancher dead in a wild mountain blizzard and only his grandson suspects murder. A former newsman turned sometimes-rancher/carpenter/sleuth Ben Tripp starts to ask questions and finds that the mountains hide a secret that some men believe is worth killing for.

Any other Ben Tripp mysteries on the way?
I suspect there’ll be a third and have begun gathering ideas. But you know, that divine intervention thing has me on hold. Maybe next year. In the meantime, I’m finishing a rewrite on another novel which should come out early next year. It deals with the excesses of television and the unbelievable power of talk-show tv. I’m afraid it’s another publisher so I won’t mention the house, but the working title is Elvis Live at Five.

Tell us a little about your family.
My wife Lucrezia and I have made our home in London for the past six years. She’s also a journalist but is taking a year off to get an advanced degree. Our two daughters Shauna and Amanda are both finishing up college in the U.S. and are about to launch into the big world. There’s one other member of the family named Dallas who reminds me—loudly—each morning at 5:30 that writing must remain secondary to the immutable daily task of feeding the cat.

When you’re not writing—and not working at your day job—how do you spend your time?
As passionately as I can. My wife and I are avid fossil and rock hunters, fly-fisher-persons, sailors and city-walkers. Because London is so wonderfully located we’ve been able to pursue those passions across Europe, the Middle East and Africa. When we’re at home, it’s movies, concerts, a wee spot of golf now and then and as many books as I can get my hands on.

Any advice for aspiring writers?
If you want to be a writer—write. All the time. Write. Write every day. Budget the time. Set aside those several hours each day when it’s your job—YOUR JOB—to sit down and write. If you let the words out of their box, soon the ideas will start flowing and the characters will take on flesh and the fictional world will come alive. You’ll get to the point where you’ll actually be startled by some of the things your characters do. Don’t wait for a higher force, a bolt of lightning or the voice of a muse. Start writing and don’t stop. And it seems silly to say it, but enjoy it. It’s painful, dreadful, tiring, confusing—and some of the most fun there is to be had in life.





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